Don't Hang Up Yet: 'Black Phone 2' Delivers a Chilling Sequel
The success of 'The Black Phone' (2021) left many fans wondering if a sequel could ever live up to its eerie brilliance. The original film's tightly woven narrative, a near-perfect blend of horror and suspense, seemed to be a one-and-done triumph. But director Scott Derrickson dared to challenge that notion, and the result is a thrilling, albeit controversial, follow-up.
Four years after the events of the first film, Finney and his sister Gwen are still grappling with the trauma of their childhood abductions. Finney, now a teenager, wants to move on, but Gwen, who is now 15, begins to experience disturbing visions of a Christian camp and whispers of The Grabber's return. The Grabber, thought to be dead at the end of the first film, somehow returns with a supernatural connection to Gwen and her visions, marking a bold shift in the film's tone.
This shift from realism to a more supernatural, slasher-inspired narrative is both a risk and a reward. While it stretches the boundaries of the original's logic, it opens up new avenues for visual and emotional experimentation. And Derrickson delivers, showcasing a stunning mise-en-scène that is a feast for the eyes, thanks to a significantly larger budget. The film's aesthetic is one of its strongest assets.
Gwen's visions, captured with a disorienting 'found footage' style, add an extra layer of unease to the movie. The cinematography, lighting, and creative use of Super 8 camera footage create a vintage, nostalgic feel that enhances the film's atmosphere. This attention to detail is a testament to the film's strong visual direction.
The suspense in 'Black Phone 2' is a standout feature. The deliberate pacing keeps the audience on the edge of their seats, with each buildup moment heightening the tension. The snowstorm-induced isolation adds a chilling layer, mirroring the characters' emotions of fear and loneliness. This atmosphere is a key strength of the film.
Madeleine McGraw, who plays Gwen and was 16 during production, delivers a remarkable performance. Her ability to convey a mix of emotions, from fear to determination, in both emotional and combative scenes is a testament to her talent. McGraw's portrayal is a highlight of the film.
The addition of Ernesto, Robin's younger brother from the first film, is a pleasant surprise. The inclusion of Mexican-American representation in a horror film is a welcome change, and the casting is spot-on. Miguel Mora, who played Robin, returns as Ernesto, and the transformation feels natural and fitting, adding depth to the story.
The film's sound design is another standout feature. The low hum of wind, the muffling echoes in the chapel, and the sharp ring of the black phone all contribute to the tension. Even the silence feels charged, keeping the audience on edge without relying solely on jump scares.
However, 'Black Phone 2' is not without its flaws. The supernatural plotline, while visually striking, feels unnecessary and confusing. The return of The Grabber as a ghostly figure dilutes the realism that made the first film so compelling. The film could have explored a different approach, introducing a new killer connected to Gwen's visions or focusing on another child receiving calls on a black phone.
The lack of genuine danger towards the end of the film is another drawback. Once the main characters are established as safe, some of the tension dissipates. While the movie remains entertaining, the diminished sense of realism towards the end undermines the film's overall impact. Despite these flaws, the technical craftsmanship and emotional performances shine through.
In conclusion, 'Black Phone 2' is an enjoyable and well-executed sequel that fans can appreciate. It surpasses the original in visual execution and atmosphere, even if its story feels stretched. The film's ability to deliver a chilling experience, despite its flaws, is a testament to its success. The question of its necessity lingers, but the experience of watching it is what truly matters. 'Black Phone 2' might not have been essential, but it proves that sometimes, a confusing storyline can be ignored if the rest of the film makes it worth the call.
