Aleshea Harris, the director of the acclaimed film 'Is God Is', has crafted a visually and narratively audacious cinematic experience. Her unique approach to storytelling, inspired by ancient Greek tragedy and the Coen brothers' 'O Brother, Where Art Thou?', showcases her ability to curate a specific world that is both mythic and grounded in reality. The film's success lies in its ability to challenge audiences' perceptions and expectations, particularly in the context of revenge narratives featuring Black women.
Harris' journey into filmmaking was not a straightforward one. As a theater person with a background in visual art, she approached the project with a distinct perspective, focusing on the visual language and performance. The challenge of translating her play into a film required a meticulous curation of spaces, colors, costumes, and performances, all while navigating the constraints of a tight budget and a bidding war with studios.
One of the most intriguing aspects of 'Is God Is' is the portrayal of the twins, Racine and Anaia, and their relationship with their father. Harris' decision to trim the boy twin stories highlights the importance of casting actors who can portray the intimate bond between the sisters. The casting process was meticulous, ensuring that the actors could embody the complex dynamics of the twins. The visual language, including wordless communication and framing, further emphasizes the unique connection between the sisters.
The film's exploration of revenge is particularly compelling. Harris draws inspiration from classic revenge narratives, such as 'Kill Bill' and 'Our Father, the Devil', and incorporates her own experiences as a Black woman. The deep-seated wrong and wound experienced by the women in the film resonate with a broader audience, especially those who understand the complexities of the Black experience. Sterling K. Brown's portrayal of the father adds a layer of complexity, challenging the audience's perceptions and expectations.
Harris' directorial approach is marked by restraint and control, even in a film as wild and visually striking as 'Is God Is'. She emphasizes the importance of duration and timing, carefully crafting the final sequence to build tension and subvert expectations. The film's success lies in its ability to balance chaos and control, creating a unique cinematic experience that has resonated with audiences and critics alike.
Location scouting played a crucial role in bringing Harris' vision to life. By scouting locations that could represent the diverse settings of the play, from the Northeast to the South and the West, the film's world-building became more authentic. The use of color and barren landscapes further enhanced the sense of place and the overall tone of the film.
In conclusion, Aleshea Harris' 'Is God Is' is a testament to her creativity and skill as a filmmaker. Her ability to curate a unique cinematic language, challenge expectations, and explore complex themes has resulted in a film that is both critically acclaimed and deeply resonant. Harris' journey into filmmaking is a reminder that a great playwright can indeed make a great filmmaker, and her unique perspective continues to inspire and captivate audiences.
